AI Image Face Swap
Identity work in the townhouse-doorway studio: the scene rendered once, the face treated as a layer of its own.
The image face swap moves a face from one still onto another — a muse face onto a new body of work, a character recast into a finished scene — while keeping the target frame lighting, angle and expression structure. Identity is the one thing re-rendering cannot reliably give you twice, which is why this bench exists: the scene is rendered once, and the face is treated as its own layer.
The consent boundary is the same wall as everywhere in the townhouse-doorway studio: faces must be fictional (your own generated characters) or belong to adults who gave documented consent for this use. Real, identifiable people who have not consented are prohibited, and the bench is audited under the moderation policy.
Craft-wise, a swap is a negotiation between two photographs. The target owns the light, the angle and the moment; the source owns the identity. When the two agree — similar head angle, similar light direction, similar emotional register — the result reads as a photograph of a person. When they argue, it reads as a collage of two. Most of the skill at this bench is spent before the job runs, in choosing a pair that is not going to argue.
How it works here
Choose the face source
A clear, near-frontal portrait of the fictional or consented face. Sharp eyes, even light, no hands across the face.
Choose the target frame
A finished still whose pose and light you want to keep. Matching head angles between source and target is half the craft.
Swap and inspect
Price shown before the job runs. Inspect at full size: hairline, jaw, and the join at the neck are where swaps confess.
Where it earns its keep
A drifted frame, repaired
When one frame of a series wanders off-model, recast its face from the canonical portrait instead of re-shooting the set.
One face, many looks
Try a settled character across existing frames before committing a series to new renders.
The opener upgraded
Carry the heroine face onto the strongest composition you have, wherever it was first rendered.
Example briefs
The series rescue
Frame seven of twelve drifted. Source: the canonical portrait from frame one. Target: frame seven as rendered. The set reads as one shoot again.
The angle match
Both source and target three-quarter left, chin level similar. The swap holds through the hairline because the geometry agreed first.
Settings that matter
| Source sharpness | Eyes and hairline must be crisp — the bench copies what it is given |
|---|---|
| Angle agreement | Frontal onto frontal, profile onto profile; crossed angles tear |
| Light agreement | Source lit from the left lands best on targets lit from the left |
| Consent | Fictional faces, or documented consent — no third category |
Failure modes & fixes
- The pasted look. Face sits on the frame instead of in it when light directions disagree. Fix: pick a source lit like the target
- Hairline halo. A bright edge follows the hair when the source background is busy. Fix: source portraits against plain backgrounds
- Expression clash. A smiling face on a solemn body reads as collage. Fix: match the emotional register, not just the angle
- The famous face. A recognisable real person is a policy violation, not a technique problem. Fix: use fictional or consented faces only
FAQ
What does a still face swap cost?
26 credits per job, shown before you confirm.
Whose faces may I use?
Your own generated fictional characters, or adults with documented consent for face-swap use that you can produce on request.
Will it fix a bad frame?
It fixes identity, not composition. A wrong room stays wrong — swap faces between frames that already work.
Can I swap my own face?
Yes — your own face is yours to use, like your own photographs at the undress bench.
What if the swap fails?
Failed jobs refund automatically to your balance.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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