Motion identity work in the townhouse-doorway studio: the still swap, tracked through every frame of the turn.
Priced by clip length and resolution, shown before you confirm. Failed jobs refund automatically.
A face swap in video is the still swap with a tracking problem added: the face must hold through every frame of a turn, a glance, a step. This bench maps the source face onto the clip performance and follows it, priced from 31 credits with duration able to add — the exact figure shown before the job runs.
Everything the still bench demands applies twice over here, because motion cross-examines a swap frame by frame. Fictional faces and documented-consent faces only; the moderation policy audits this bench like the others, and clips inherit the privacy of the account that made them.
Plan the shoot for the swap, when you can. Performances filmed — or animated — with this bench in mind are slower, nearer frontal, and lit plainly, and they recast beautifully. Performances that were already wild stay wild; the tracker will follow the face through a surprising amount of motion, but every degree of turn is paid for in fidelity. The professionals treat video swap as a casting decision made at the storyboard, not a rescue attempted in the edit.
If the face does not sit convincingly in a single frame of the clip, it will not sit in ninety. Test the still first.
Slow turns and small expressions track best. Violent motion is where tracking budgets go to die.
Price confirmed up front. Review at the fastest movement and at profile angles — that is where video swaps confess.
Carry the settled character into the animated opener so the moving frame belongs to the same woman as the stills.
When the performance works but the casting drifted, recast the clip instead of reshooting the motion.
Short loops of the series heroine outperform anonymous motion in every feed.
A three-second turn that animated well with a drifted face, recast from the canonical portrait. Small motion, complete tracking.
Before a long job: swap one short glance clip and watch the eyes through it. If the glance holds, the take will.
| Clip length | Shorter clips track tighter; prove the swap short before extending |
|---|---|
| Motion speed | Slow performances are the reliable ones — plan shoots accordingly |
| Source face | The still-swap rules apply: sharp, near-frontal, plainly lit |
| Price shape | From 31 credits; longer clips can add — exact cost shown before confirmation |
From 31 credits, with duration able to add. The exact figure for your clip is shown before you confirm.
Tracking. The face is mapped and followed through every frame, which is why motion size and clip length matter so much more here.
Fictional characters you created, or adults with documented consent for this use. No other category exists.
Clips you own, yes — with the same consent rule covering every real person in them.
Failed jobs refund automatically, in full.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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