AI Image Editor
The repair bench of the townhouse-doorway studio: one named defect, one surgical repaint, original untouched.
Most imperfect frames are one defect away from right, and the editor exists for that defect. Mark a region or describe a change — the dress in another colour, the stray object gone, the background extended an arm to the left — and the bench repaints only what you named, keeping the original untouched beside the result. At 21 credits it sits deliberately between a draft and a re-render, and priced like the rescue it is.
The discipline of the bench is naming. “Make it better” is not an edit; “repaint the scarf deep green, keep the knot and the folds” is. One defect, one instruction, one look at the result — the editor rewards the same single-change habit the generator teaches.
It also rewards restraint in a second way: the editor is where series go to be made consistent. The necklace that changed between frames, the prop that wandered, the wall colour that warmed as the light clause drifted — these are one-line repairs here, against a full re-render at the generator with no guarantee the new frame keeps what the old one had. Professionals reserve re-renders for composition. Everything smaller has a bench, and this is it.
How it works here
Name the defect
One sentence: what is wrong, and where. If you cannot name it in a sentence, the frame needs a re-render, not an edit.
Write the repair
Say what the region should become — colour, fabric, object, empty wall — in the same concrete nouns you would use in a brief.
Compare honestly
The original stays untouched. Judge the edit at full size, especially at the seams of the repainted region.
Where it earns its keep
The wrong colour, fixed
A series stays consistent when the dress that changed colour between frames is corrected instead of re-shot.
Strays removed
The cup on the table, the modern lamp in a period room — local removals are the editor cheapest work.
Edges extended
A frame cropped too tight gains breathing room without disturbing its centre.
Example briefs
The scarf repair
Brief: “Repaint the scarf deep emerald, keep the knot, the fringe and the way it falls.” Colour changes; structure is ordered to stay.
The clean wall
Brief: “Remove the picture frame on the wall behind her and continue the panelling.” Removal plus what replaces it — both halves matter.
Settings that matter
| Region size | Tight regions edit cleanly; half-frame repaints drift toward re-renders |
|---|---|
| Instruction nouns | Name fabric, colour and object exactly — adjectives alone smear |
| Originals | Every edit is a sibling of the original, never an overwrite |
| Order | Edit before upscaling; finishing an unedited frame wastes the upscale |
Failure modes & fixes
- The vague improvement. “Fix the dress” gives the bench nothing to hold. Fix: name the final state, not the complaint
- Seam shine. Repainted regions glow at the border on busy textures. Fix: shrink the region, or match the surrounding texture in the instruction
- Editing a wrong frame. Composition errors are not defects. Fix: re-render when subject, pose or light itself is wrong
- Chained edits. Five edits on one frame compound artefacts. Fix: after two edits, re-render from the improved brief
FAQ
What does an edit cost?
21 credits per job, shown before you confirm — priced between a standard draft (6) and a premium re-render (41) because that is where the work sits.
Does editing overwrite my original?
Never. The edited version is saved alongside; the original stays as it was.
Can I edit uploaded photos?
Your own media, yes. Other adults photographs follow the consent rule: documented consent, producible on request.
Edit or re-render — how do I choose?
If the photograph underneath is right and a named detail is wrong, edit. If the pose, room or light is wrong, re-render.
What if the edit fails?
Failed jobs refund automatically to your balance.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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