The finishing bench of the townhouse-doorway studio: locked frames rebuilt at the size their destination demands.
Per-job credit pricing is shown before you confirm. The original is always kept.
The image upscaler rebuilds a finished frame at a larger size, reconstructing detail — skin texture, fabric weave, hair strands — rather than merely stretching pixels. It is a finishing process, priced like one at 61 credits, and it belongs at the end of a frame life: after the render, after the edit, after the swap, when nothing about the picture will change again.
Used there, it is the difference between a frame that fills a feed and a frame that can carry a cover, a banner or a print. Used early, it is the most expensive way to enlarge a draft you are about to throw away. The bench rule in the townhouse-doorway studio is blunt: upscale only what is locked.
What reconstruction can and cannot do deserves plain words. It can infer plausible detail — the weave a fabric must have had, the strands hair resolves into — from a clean, well-exposed source. It cannot recover information the render never contained, and on a soft or noisy source it invents with confidence, which is worse. This is why the premium original you almost skipped becomes, at print time, the best money in the whole production.
Composition right, defects edited, face final. If any of those is still moving, finish it first.
Match the destination: cover, banner, print. Bigger than the destination is credits spent on pixels nobody sees.
Price shown before the job runs. Proof at one hundred percent: hairline, hands and fabric are the honest witnesses.
The opener of a series, rebuilt to carry a page without softness.
Profile and gallery headers fed from a portrait original.
Creators who sell prints need resolution the generator does not natively give; this is the bench that gives it.
Series frame one: rendered, edited once for a prop colour, face checked. Upscaled last, printed clean.
A favourite frame cropped wide for a header lost too many pixels; the upscaler rebuilt the crop to placement size.
| Arrival state | Locked frames only — edits after upscaling throw the upscale away |
|---|---|
| Target size | The destination decides; oversizing buys nothing visible |
| Source quality | Clean sources reconstruct best; noisy drafts enlarge their noise |
| Price | 61 credits per job — a finishing price, budgeted like one |
61 credits per job, shown before you confirm.
Up to print-capable sizes for typical frames; the practical ceiling depends on the source, and the job screen states the target before pricing.
No. Edit first, swap second, upscale last — finishing is the price of being done, and anything after it wastes it.
Your own images, yes. Other adults images follow the consent rules that govern every photo bench here.
Failed jobs refund automatically to your balance.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator